The forms your project / photographs could take moving forward. Although My previous Camera Obscura project is no longer of interest to me . I decided that I wanted to take this opportunity to explore areas that are completely new to me. Actually, in graduate school, there are usually not more than three courses, while undergraduate coursework is more general in nature and includes more courses in a wider variety of subjects. http://shimonattie.net/portfolio/the-writing-on-the-wall/. My thoughts seem to take me to conceptual areas. What you did during the week, feedback received and how you will respond to that. This motivates me to adventure and explore areas I am in and also encourages me to stop and enjoy the quiet countryside. There is something appealing about the method and process used and the ability for the viewer to discover these images as well as the impermanence of the image, they disappear when it is day time. In reflecting on my undergraduate degree I was reminded how frustrated I was that I was unable to learn more practical skills while attending the program, due to life and time constraints as well as the nature of the program structure. This week decided on Arduino components (over Raspberry Pi) in my first attempt to deconstruct the camera. The maker culture and support network is great and I have spent much of the week acquainting myself with the terminology and how things are done for example Github. Meiselas showed her work in the communities in which it was made, first before taking it else where. I have been mulling over ways to take an image and have it translated into a tactile 3D print for the visually impaired. I would like to reflect on it more and consider the implications of it more. I Certainly agree with this and my current work is hoping to to be time based and find different way to represent the information gathered by the camera over time.. Another aspect I have been pondering that was not touched on in this video but I feel would fit in this section is creating physical 3 dimensional images. A wall can change dramatically in a short time frame and revert back again or morph onto something else again. Once I feel I have gotten as close to what I saw in my mind’s eye, I invite the participants to share their input. There is no particular agenda to the work I hope to produce, I just want to explore concepts that are new to me and try to develop new skills. I know such a project was done in the past and I must track it down. The Rauschenberg erasing of images is interesting and the progressive nature of his work is inspiring and I was found myself watching interviews and biographies in him to learn more. Graduate courses are much more specialized and advanced. For me it also brings to mind graffiti art and its impermanence in the city landscape. Annotated bibliography/Reading writers Journal (Coursework Sample) Instructions: First assignment work researching publication venues in your area and identifying your writing communities. In your CRJ, write a short summary about: My current practice is virtually nonexistent. I like the idea of rephotographing contemporary images. It could, of course, be very effective in areas of conflict and destruction to bring this to the audience. Photographs tend to represent either space or time as said in the video content. Journal 1: Use one of the "nature" prompts from the Kellner folder ( Sunshine and Flowers, At the Ocean, Life is like an Onion, OR Tree Grows Alone) as your inspiration today. The wiring and soldering of sensors and use of proper resistors still confounds me so perhaps more elementary steps involving basic learning exercises and code might be a better step, rather than trying to start where I have been trying to. Reading about anamorphic painting in the renaissance where Leonardo and others distorted their paintings, so they would only be visible at a certain point and possibly posses a 3d effect. In my efforts to learn and manipulate these micro controllers and sensors I have found an great number of resources and these people have become unwitting collaborators. Through readings, written assignments and individual critiques, students will gain a practical grasp of dramatic scene, dialogue, character sketches and scene by scene construction in nature … What I would like is to graph the data results that they record in a three dimensional plat or representation of the image with the potential of 3d printing the graphs over time. I may have to switch to Raspberry Pi in the future for technical reasons but baby steps for now! After looking at Raspberry Pi and Arduino, both of which are completely new to me, to day I decided to move ahead with Arduino and ordered some equipment. Could it be as simple as putting them on Instagram with a hashtag of the local and hope that the subjects see them or relate to them? Currently I am thinking about deconstructing the camera, and exploring how the image is represented. I do some staff portraits for local car dealership websites. Since Arduino and much of this maker culture is recognized as open source and believes strongly in the public domain, there is no guilt but there are definitely unwitting collaborators in the form of the people who have inspired me, tested sensor and have helped educate me on this system. The conceptual nature of the works presented was striking and I really appreciated the variety as they speak to the direction I am moving in my art practice. *Photography Consists of Collaboration: Susan Meiselas, Wendy Ewald, and Ariella Azoulay in Camera Obscura: Feminism, Culture, and Media Studies. I occasionally shoot concerts and album covers for a local jazz musician but that is only once of twice a year. It is invariably a better image that results. Le Nature Writing est un genre littéraire baptisé tel aux États-Unis, mêlant observation de la nature et considérations autobiographiques, dans une certaine tradition politico-philosophique qu‘on fait In order to keep efficient track of your findings and as a reference that can guide you through your eventual submission process, I would like you to begin an annotated bibliography of your findings. I hope the sensors I have purchased will work as I hope they will. Taught by award-winning nature writer Nick O’Connell, this course will offer an opportunity to learn the secrets of writing nature narratives, including shaping story ideas, keeping a nature journal, structuring stories and essays, and where to send them for publication. Rephotography: I have never purposely referenced existing images in my work or incorporated them, but certainly I have been inspired to recreate images in the style of existing images. Serious yet playful. However my projects generally end up being collaborative in their creation and become more or better than my initial vision because of it. Our company focuses on offering high-quality and easily accessible academic writing services to students from all parts of the world. PHO703 Critical Research Journal: Coursework, PHO702: Video Presentation and Peer Review, Photography Consists of Collaboration: Susan Meiselas, Wendy Ewald, and Ariella Azoulay, http://shimonattie.net/portfolio/the-writing-on-the-wall/. Cymetics, the visualization of sound/frequencies has also sparked something in me. At the start of week four, you may be based in the 359,000-word chinese corpus with those of the text. Coursework Geeks aims to provide professional academic writing services to students all over the world.. Our dedication to quality and customer satisfaction makes us one of the best academic writing agencies in the world. Journal 2: As we enter our "professional documents for the workplace" Module 2 this week, explore your greatest fear for life after college in your journal entry. Acontextual grammar instruction and conventions found in fewer than half a century for science and nature writing, we can see this collection discuss. My current project idea is based around repeat photography, a documentary style or scientific approach of repeated measurements over time. Journal of the children after the session. The use of new media, glitches in video games (Rober Overweg), writing code for his cell phone to track him (Hasan Elahi), and using Google Street View stills (Jon Rafman) are all great ideas for which I admire the creators and admire their ability to make these connections and carry them to fruition. Both his thick paintings and his Process Paintings, which are process based works not overly concerned with the final element. I am debating if I am trying to run before I can walk. This resonated with me because the subjects my pictures will never have the opportunity to see the final result, but in my other work the collaborators get to see the images at some point, whether in the interim or final stage. It has struct me that my interests are inline with the work of Eric Cameron. Coursework (to log your weekly tasks and activities). There are new file types and software I’ve downloaded and it feels like a steep learning curve although their seems to be a great deal of support online. Define independent coursework research journal studies create online geography quizzes test. Deconstructing the camera: something that senses light or colour through the day and compiles that into a line or color or something.. Records the RGB values and luminance. Look into coding courses Python and C++ check Raspberry Pi and Arduino boards and options. There was an aspect of community engagement and community development around it that I may continue to explore through designing a mobile camera obscura darkroom setup. The conceptual nature of the works presented was striking and I really appreciated the variety as they speak to the direction I am moving in my art practice. This week the content has been very interesting and has given me much to reflect on around the nature of collaborations and the ethical nature of collaboration.To a certain degree, I resist the idea collaboration in the creation process of my work. on y trouve aussi bien des romans que de la n It has given me something to think about in this regard, as I am opposed to human spectacle tourism, but my lack of inclusion of those street photography subjects in the conclusion of the cycle is the stumbling block. Pour découvrir le nature Writing - Ce courant littéraire est né aux Etats-Unis, pays des grands espaces, et dont le précurseur fut Thoreau. Technology is at a place where those with visual impairments can hire a sighted guide to vacation with them and describe the scenes around them. Posted on June 28, 2020 June 28, 2020 Posted in PHO703 Contextual Research, PHO703 Critical Research Journal: Coursework, Uncategorized This weeks course content was amazing!! Through audio or tactile sensation? Could place dots larger and smaller for brightness or colour moving toward a pointilist style image. I have water from the Australian desert and the Sahara as well as glacier fed lakes. How can one present the depth or scale of a landscape or recreate the warmth of a smile to properly convey these properties taken for granted in an image by the sighted. I am now curious of the results of putting these samples in a spectrophotometer and what would result or if they would all come out the same. That is to say when working with a model or subject, I have an image in mind that I want to come to fruition. I see charting the light colour or temperature in a space over time and then representing it in 3 dimensions and possibly a 3D printed version or series. This weeks course content was amazing!! Could plot on X, Y, Z. and build shape over time. The idea of rephotography could definitely be implemented in my project, as I am mulling over how images are represented, rephotography could play a strong role in being the baseline for experimentation or as a reference for the viewer. This could be a potential resolution to the project that I began but could not resolve. Or is that reductionist in its approach, taking their image and displaying in social media with out a more targeted approach. I recognize that an image is not complete until it has been displayed or viewed but it wasn’t until hearing about Susan Meiselas, that I discovered why I have been conflicted with my work in these areas. I was met with no support or interest in doing so and the research project I proposed was actually not of interest to me in more than a short term plan. I would like to develop an original style and methodology but the influence of others’ work plus the vast amount of visual imagery viewed on a daily basis I am certain that most ideas I have are a remixing previously seen images. My reason for taking this Masters program was to get some help in resolving a conceptual photography project that has been vexing me for many years now. The Touchy camera is a brilliant piece of tech that by its nature brings others into the creation of the image. Maybe I should regress down to more basic Arduino steps and build up to my final goal. Changes and similarities would still be present as in classic vs contemporary images. I like the idea of removing part of the original image either by blending another image or combining multiple images to produce something new. 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